The BPO album · Cebu, 2004–2016, the night shift in eight songs · takes from April–June 2026 · not a release · page built 07 Oct 2026 19:00 UTC
Tagalog Tech House, crisp hi-hats, 126 BPM, sudden Chicago Blues breakdown, heavy blues organ, powerful female soul belting, soulful house crossover, deep bass groove, 4-on-the-floor club drop
★ KEEPER (provisional) · take2 · 5:10 · sung 36/48 lines · ending fades
take1 · 4:19 · sung 39/48 lines · ending fades
Dark warehouse techno, heavy driving 126 BPM kick drum, modular synth acid lines, massive acoustic Sinulog festival snare drums, street whistles, cold professional phone voice, raw spoken-word Tagalog and Bisaya
★ KEEPER (provisional) · take1 · 4:33 · sung 24/32 lines · ending fades
take2 · new ending 1 · 4:40 · sung 28/32 lines · ending fades
take2 · new ending 2 · 4:44 · sung 25/32 lines · ending may cut off
take2 · 4:27 · sung 26/32 lines · ending may cut off
OPM, Pinoy vocals, peak-time Tech House, 126 BPM, heavy driving sub-bass, aggressive tech house synth stabs, hypnotic metallic Kulintang gongs, massive festival drop, high-energy rhythm
★ KEEPER (provisional) · take2 · 4:33 · sung 32/32 lines · ending fades
take1 · 4:22 · sung 32/32 lines · ending fades
Minimal tech house, 124 BPM, deep pulsing sub-bass, quirky rhythmic vocal, fast staccato Rondalla string plucks, digitized Bandurria lutes, sharp high-hats, system error SFX
★ KEEPER (provisional) · take2 · 3:53 · sung 33/38 lines · ending fades
take1 · 4:22 · sung 26/38 lines · ending fades
take3 · new ending 1 · 9:45 · sung 35/38 lines · ending fades
take3 · new ending 2 · 9:30 · sung 36/38 lines · ending may cut off
take3 · 5:58 · sung 33/38 lines · ending may cut off
take4 · new ending 1 · 4:15 · sung 28/38 lines · ending may cut off
take4 · new ending 2 · 4:21 · sung 28/38 lines · ending fades
take4 · 4:00 · sung 26/38 lines · ending may cut off
Deep progressive tech house, melancholic minor-key synth pads, hypnotic driving 124bpm club beat, emotional clean male/female vocals, atmospheric corporate background noise, traditional filipino acoustic guitar, warm sub-bass, organic percussion
★ KEEPER (provisional) · take1 · 5:13 · sung 23/37 lines · ending fades
take2 · 5:16 · sung 28/37 lines · ending fades
Dramatic Modern Trap, Cinematic, Dark, Aggressive
★ KEEPER (tie, your ear decides) · take1 · 2:21 · sung 1/1 lines · ending fades
take2 · new ending 1 · 2:56
take2 · new ending 2 · 3:07
take2 · 2:10 · sung 1/1 lines · ending may cut off
take3 · 2:40 · sung 1/1 lines · ending fades
take4 · 2:09 · sung 1/1 lines · ending fades
hip-hop, 96 BPM, male rap vocals, chant hook, heavy violin intro, distorted 808 bass, chopped sample loops, rhythmic scratching, banjo accents, steel-string stabs, glitch percussion, vinyl crackle, gated snare, stereo widening, verse-chorus drive, anxious momentum, defiant swagger
★ KEEPER (tie, your ear decides) · take1 · 2:41 · sung 52/54 lines · ending fades
take2 · 2:42 · sung 50/54 lines · ending fades
Melodic Tech House, 122 BPM, deep driving organic bass, soulful female vocal, breathy Suling bamboo flute, warm house groove
★ KEEPER (tie, your ear decides) · take1 · 5:50 · sung 28/31 lines · ending fades
take2 · new ending 1 · 5:59
take2 · new ending 2 · 5:58
take2 · 5:58 · sung 26/31 lines · ending may cut off
take3 · 4:28 · sung 28/31 lines · ending fades
take4 · 4:36 · sung 28/31 lines · ending fades